2 10 24 https://ashevillecartoonist.org/files/original/c1cb5939e4c44bdf15356fd7db7fdca6.jpg e2bee4fb2fb33cdd6c37bb1df1b76355 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 5, 1915 African American Asheville Asheville Country Club black caddy golf Jaybird local race racism smoking sport tourism tourist https://ashevillecartoonist.org/files/original/eeb899aec2784c23caaf7d99de66a215.jpg 4a18d2948e22d9a819c33c70d8b9c097 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource April 6, 1915 African American black boxing caricature competition heavyweight title Jack Johnson Jaybird Jess Willard national prize fighting race racism sport https://ashevillecartoonist.org/files/original/5d3dd9d937945800dd6d4dd6047c0595.jpg 3f75a2f07030fdb35e3963eb7861240d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource June 5, 1913 African American Asheville baseball baseball park baseball stadium black horse and carriage Jaybird local race racism sport streetcar transportation trolley trolley car https://ashevillecartoonist.org/files/original/6dfc391951fbd7d3a7ddb7e03405cb98.png 492a75795c9739a68ad9adf9b1ae9421 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource April 24, 1912 African American baseball black Booker T. Washington boxing caricature Chauncey Depew James M. Munyon Jaybird John D. Rockefeller John L. Sullivan medicine national New York nomination professional baseball race racism sport Standard Oil Ty Cobb United States Senate United States Senator Vice President https://ashevillecartoonist.org/files/original/133c2289170b059f04575ed13328e63d.png 146c0065a7632f8d77c2b643e7d36ef1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource January 7, 1912 African American black daughter Jaybird kiss kissing local mistletoe mother race racism https://ashevillecartoonist.org/files/original/e763e7234de75e61081cc0cfe26c765d.png fb47d1be719f4b0bf93c3f7015e7accb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource January 15, 1911 African American Asheville black caricature disturber Jaybird law local negro peanut gallery race racism segregation theater https://ashevillecartoonist.org/files/original/7de74e8445b3aca1bdab1d37fe8481ef.png ba88c218556cbd54c74c88412809cec6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource April 12, 1910 African American black caricature cursing Interstate Commerce Commission Jaybird lower berth men Pullman Car Company race racism railroad sleeping swearing train upper berth women https://ashevillecartoonist.org/files/original/8e870084e0254b17c45707fd0c026a07.png f10400bb2b1f035155a013798e4bd327 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource November 21, 1909 African American black charity dinner holiday hunger Jaybird poor poverty race racism Thanksgiving turkey https://ashevillecartoonist.org/files/original/1aa2b903252e8c3f032f8c6aef15f69c.png d2f566fa482e3931fc5cffad675ce066 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource May 13, 1909 African American black caricature courtship fashion gender hats Jaybird local race racism romance style women https://ashevillecartoonist.org/files/original/8bd928a355e43e19a58f6ba0cd203faf.png 4dd5a0091b44011e8112609871f53602 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource September 1, 1908 African American black caricature Cui bono, "for whose benefit” education Jaybird John Gaston Grant language Latin learning local politics race racism school United States Congressman