1 10 24 https://ashevillecartoonist.org/files/original/e917a957246343cf2186d0967c7595dc.jpg bb512ad56c1b3fa9debd7ef67e42afcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource February 18, 1928 African American Asheville bank bankers banking black convention depot local race racism railroad smoking tourism tourist train https://ashevillecartoonist.org/files/original/4fc8965d7913a78b549ef68d261a1d64.jpg 3ded27c6bfba96d75dad56c0cc7ec7ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 7, 1926 African American black Caledonia State Prison Farm chain gang crime jail North Carolina prison prison labor punishment race racism state watermelon https://ashevillecartoonist.org/files/original/178b118aa421d8c4a754d0b2cfb6643e.jpg 5c92f0923857bfe2d58c83c82e028fd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource April 16, 1926 African American black dandelion dandelion greens dandelion wine flower Jaybird local race racism season spring wine https://ashevillecartoonist.org/files/original/b9ff8947dee3b47c4d4489e202af1f01.jpg bbfd1f0da7bed774ecad14338a05033c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource November 15, 1923 African American black boy boyhood childhood family father Jaybird KKK Ku Klux Klan local mother national parenting race racism son state youth https://ashevillecartoonist.org/files/original/a27df36fd7e5a272fb7f220e68b72d13.jpg 59030e5b6433f50b43648d222bb38719 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource November 2, 1923 African American Asheville Asheville Auditorium Asheville Community Chest black blackface blackface minstrel charity community chest donation entertainment Jaybird Lee 'Lasses' White local money race racism https://ashevillecartoonist.org/files/original/f2e0b78872b8058551767872610eb19d.jpg f14949775032622693117143f8e37ad2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource October 4, 1923 African American Asheville black chain gang chocolate cowboy homeless jail Jaybird law loafer local Pack Square police police department prison prison labor race racism vagrant https://ashevillecartoonist.org/files/original/36d7595016d8546619408a5b519d7661.jpg 08a7089eaa60184351c022247964eb30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource August 26, 1923 African American black flogging jail Jaybird KKK Ku Klux Klan local lynching prison race racism state violence https://ashevillecartoonist.org/files/original/a3f10095f0dee3299bdd58e9395a1428.jpg 617cda830239507751a0bb5833337bbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource April 4, 1923 African American black Buncombe County chain gang disease health jail Jaybird local neglect prison prison labor public sentiment race racism Thomas Mott Osborne https://ashevillecartoonist.org/files/original/2fb4c6e3f50be3855cd5aa265635ead3.jpg 8dc58fa26692de17e6320765ae162944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource May 18, 1922 African American Asheville City Commission ban black dance dancehall dancing entertainment Jaybird jazz law legislation local music police race racism vice https://ashevillecartoonist.org/files/original/83aa5ba994daac10fae4661d10a940a7.jpg b948569b6f01c100f8c02e1e6fbd8620 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African Americans in Asheville (select) Description An account of the resource Please note most of Borne’s depictions of African Americans are racist caricatures. Borne's cartoons provide a window into institutionalized societal racism, and they highlight the barriers that limited economic prosperity and social equality for African Americans. At the same time, especially insofar as Asheville’s economy relied on tourism, hotels, and urban recreation, Borne’s cartoons demonstrate how Asheville’s African American population helped bring about Asheville’s first golden age. Finally, the cartoons demonstrate African American resistance to the racism and social inequality of the era. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource May 5, 1921 African American black Elephant federal patronage Jack In The Box Jaybird national politics race racism Republican Party spoils system